Horror World Book Reviews
April, 2006


BLOODSTAINED OZ by Christopher Golden and James A. Moore
Reviewed Angela Bennett

Oz, that wonderful land of munchkins and lollypops, Glenda and the Emerald City; of wishes fulfilled and happily ever after. If that's what you're looking for, then BLOODSTAINED OZ is not for you.

Something bad has happened in Oz, something evil has taken over and a devastating tornado has dropped that evil right in the heart of Hawley, Kansas circa 1933. Already suffering from the effects of a long-term drought, the inhabitants of this little community are trying to scrape together a life amongst the drought ravaged plains of the mid-west.

Amidst the ruins left behind by the tornado, 9 year old Gayle Franklin finds dozens of porcelain dolls, undamaged; prisoner Hank Burnside digs up an emerald necklace and Elisa, a European immigrant, sees a astonishing site in the corn fields. Each must find a way to survive a terrifying night of bloodshed, demonic winged monkeys and emerald eyed beasts.

Ray Garton's Introduction to this story warns the reader that they aren't in Kansas anymore and Glenn Chadbourne's excellent artwork drives the point home. This is a fast, terrifying ride showcasing the best of Christopher Golden and James A. Moore. I highly recommend this.

Earthling Publications

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DAMNED NATION, Edited by Robert N. Lee and David T. Wilbanks
Review by James R. Beach


It's a sentiment pretty much across the board that most theme anthologies aren't very good, or at least don't appear to succeed very well. Usually a lot of the stories written to spec for some new vampire, zombie, erotic horror, (insert theme here) book, seem to fall short. Anthologies in general seem to do better when they are more broad in focus.

Of course there are happy exceptions to the rule. DAMNED NATION is one of those. This is an extremely solid, consistent, and enjoyable collection. Hell is the focus of this anthology. Hell on Earth to be exact. Packed with 22 all-new stories, this one has it all. Creepy, nightmarish, surrealistic, humorous and traditional tales fill this fat 450 page paperback tome.

Sandwiched in between two first time authors (A.H. Jennings and John A. Burks Jr.) are offerings from well-known authors (Poppy Z. Brite, William F. Nolan, and Gerard Houarner), solid up and comers (James S. Dorr, Weston Ochse, and Randy Chandler) and newcomers (Paul McMahon, Norman Prentiss, Dan Foley and Jenny Orosel).

Hands down this is a damned good anthology (no pun intended). I honestly liked nearly every story (the one exception I could have probably done without was the shit story, but even then it was kinda funny). If I had to pick a few standout stories, they would be: "Das Hollenfeurer" by Mark Justice, "Cul-de-sac" by William D. Carl, "Tortures of That Inward" by Tom Piccirilli, "Kheller's Treats" by Eric S. Grizzle, "In Heat" by Trever Palmer and "The Garden Of Earthly Delights" by Bev Vincent.

I definitely recommend this one! No stale themes or overworked ideas here. This is a great debut for the editors and here's hoping they decide to tackle another book down the road.

Available from Shocklines

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BLOOD RED by James A. Moore
Review by Mark Justice

Let's get this part out of the way early: BLOOD RED is a vampire novel. Okay, moan for a second then shut up. There are no puffy-shirt-wearing tortured poets with fangs in James A. Moore's novel. These vamps are hungry, rotting monsters. At least most of them are.

When a sophisticated stranger named Jason Soulis ("soulless"; get it?) moves into the seaside community of Black Stone Bay, people start disappearing.

In the world of BLOOD RED, there are two types of vampires: the bottom feeders, as described above, and the refined, top-of-the-food-chain model who can live among humans, walk in the sunshine, control the weather, turn into smoke, etc. Soulis is one of the latter, and he sees Black Stone Bay as his own private laboratory. When he's through, the town's residents will think Hell itself has been unleashed.

Moore has produced the literary equivalent of a B-movie. It's fast moving with a good mix of sex, gore and laughs, even if the humor occasionally seems out of place. In one scene, two cops watch as six female vampires peel back the roof on the police car and fly off with a murder suspect.

Within a few sentences the cops - instead of being paralyzed with shock and/or fear - are on the phone with a female detective and cracking wise about her sex life. Maybe it's just another day on the job for the Black Stone Bay PD.

Moore also populates the story with a bunch of well-drawn characters, though the most underdeveloped player in the story is the antagonist, Soulis. Perhaps that was the author's intention. But keeping Soulis aloof and mysterious both adds to his allure and renders him one-dimensional. A little more back story would help elevate the character past being simply Bruce Wayne with fangs.

Still, if it's action you're craving, BLOOD RED delivers in spades. Moore knows how to keep the pages turning and the blood running. Sad, introspective vampires in powdered wigs need not apply.

Earthling Publications
This review originally appeared on Page Horrific

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HELLZ BELLZ and BAD JUJU by Randy Chandler
A Horror World Double Review by Steve Vernon

BAD JUJU was one of the good ones. I climbed into that sucker and couldn't get out. It was a real Venus Flytrap of a novel, absolutely compelling. Nothing new here, just old school horror. There's something bad out there in that swamp, and so forth. But dang it, I love old-school horror when it's done right and Randy Chandler did this absolutely right. I'd read it again, if I had the time, and sometime in a couple of years from now when the real books have started to sell and I have little more time on my hands, I know I'll read it again. I'd recommend BAD JUJU without a single reservation. Folks who dig old-time horror ought to have a copy of this book on their shelves.

HELLZBELLZ was a little different. I felt like Chandler was reaching for the Bentley Little - Ed Lee school of thought. A lot wilder, more apocalyptic, scenes didn't always make sense. He was hanggliding from the largest roller coaster atop the highest peak of the Rocky Mountains, reaching for somewhere just a few lightyears beyond Alpha Centauri. Whereas BAD JUJU reeled out like a slow country banjo tune, HELLZBELLZ handed that banjo to the meanest heavy metal band in the world, and they wired it up and started swinging.

I enjoyed HELLZBELLZ, maybe not as much as BAD JUJU, but that's because I'm a bit of a wuss.

Both of these books are fun rides, and I'm a little surprised that Randy Chandler hasn't stumbled his way into a mass market paperback deal yet. Perhaps in the boom years of the 80's he might have. I could easily see Mr. Chandler with a dozen or so cheesy paperbacks with covers festooned with die cut lettering and skulls and glow-in-the-dark cheerleaders, a cat or two and a personally monogramed evil baby.

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Deathbringer By Bryan Smith
Review by Nate Kenyon

Gorgeous Hannah seems to have it all: a nice home in the suburbs, and an impending marriage to Mike, a young cop and one of the most sought-after bachelors in town. When a girl scout comes selling magazine subscriptions, she hardly gives it a second thought and invites her in while she searches for her checkbook. But things quickly turn nasty, as the girl pulls a gun and shoots Hannah at point blank range, finally finishing her off with a shot to the head in a decidedly cold-blooded and vicious way.

All that is in the first ten pages of Deathbringer, as Smith (House of Blood) pulls out all the stops in this, his second effort from Leisure. The result is a much more accomplished and assured book, with Smith's trademark nearly non-stop action coupled with a more polished style.

The story itself is nothing particularly new, though the details breathe life into the typical zombie attack plot. After Hannah's death, Mike is still grieving her loss when a strange visitor drops a book called Invocations of the Reaper on his front steps. When Mike opens the book he is compelled to read passages aloud that set in motion a plan that will raise the dead and bring hell on earth, and ultimately allow the Deathbringers (humans who become reapers through black magic) to break free of whatever force pulls their strings. One rogue Deathbringer, in particular, has decided to put this plan in motion, but it all hinges on a number of details surrounding Hannah and Mike in ways that are never entirely clear.

None of this really matters, however, because Smith is clearly having such a good time with the story. There is a nasty, twisted female serial killer, lots of the walking dead, plenty of gore, and some interesting sexual interplay between different characters. The sexual tension often comes at the most inappropriate times, and reads like a 14 year old's wet dream (Richard Laymon style), but it's still a lot of fun to read. In what is perhaps the most unique twist in the novel, Smith puts readers inside the zombies' heads on a number of occasions. These are not your father's zombies; in fact, they retain all of the same personality traits, emotions and memories as before, except now they are driven by a bloodthirst that is impossible to quench. This leads to some interesting conflicts (zombies who still feel some affection for one of the living even as they try to rip them limb from limb).

Deathbringer is not perfect. The ending is far too abrupt, and it feels like Smith is suddenly mailing it in as the final details fall into place. But the book remains a lot of fun to read, and Smith has clearly come a long way as a writer. It will be interesting to see where he goes next.

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DEMON HUNTER by T. L. Gardner
Review By Patricia Snodgrass

Elijah Garland has a problem. In fact he has a number of problems; the foremost one involves being resurrected after a suicide attempt. His anti-mentor, the angel Gabriel has been watching out for Elijah for years, testing and tormenting him as he wills.

It's not about sadism. It's about necessity. Gabriel must toughen up Elijah for his tasks to come. Elijah is naturally not happy with this lot in life; his only desire was happiness. But as long as Gabriel is around, the chances are good he's not going to get it any time soon.

Demon Hunter has an interesting premise, and a reasonably sound plot. But it's an old plot, a story done centuries ago by both Dante and Milton, and now again here.

There is freshness in the retelling of the age-old tale of angels versus demons, and Gardner does it well. His pacing is good; his characters are interesting and the interplay between Lucifer and Gabriel is priceless.

My main concern with Demon Hunter is that it's in dire need of further editing. I found way too many adverbs, grammatical errors such as sentence fragments (a few are good, but too many confuses the reader) and although I don't mind foul language in a novel, I think the word fuck should not be used more than twice in a sentence.

The dialogue needs work. And page 155 is missing.

All in all, Demon Hunter is an okay read, but the book can go much farther and can turn into an excellent novel with a bit more work. I look forward to reading more of the series.

Q-Boro Books

 

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