Horror
World Reviews
100
JOLTS: 100 SHOCKLINGLY SHORT STORIES by Michael A.
Arnzen
Review by Mark Justice
When
I started reading this collection I was immediately struck
by the thought: how do you review a story that's only
two paragraphs long?
The
Answer is: you don't.
Flash
fiction, I've found, is meant to be swallowed in one gulp,
like a shot of tequila. Trying to dissect it and diagram
it, reverse-engineering the structure to discern the meaning
in the tale, is a load of crap.
So
is trying to wrestle a collection of flash fiction stories
to the ground with the same critical tools that you would
use on a novel . It's useless.
Arnzen's
stories-which range in length from a few paragraphs to
a few short pages-are small moments frozen in amber. Here,
have a shot of dread, of terror, of repulsion.
With
great skill, Arnzen has honed each of these stories down
to its essence. You often hear writers describe the story-writing
process as a great labor in which each word has so much
significance and impact that it must be chosen with a
jeweler's eye. Arnzen has refined that method to the point
that every word is not just important, it's pivotal. In
these stories, single words covey worlds of meaning.
Anzen
could probably find a way to scare us with punctuation.
Not
every story in this collection works. A few could stand
another sentence or paragraph or half-page. But most are
terrifically effective.
Near
the end of the book is an interview with Arnzen, conducted
by Jerry Schatz, in which Arnzen describes flash fiction
as "efficiency narratives
an ice cube of plot
whose theme thaws with time."
That's
a good description of what you'll find in these pages.
Time may thaw the plot, but it doesn't diminish the impact
these tales have. Some of them will stay with you longer
than many novels.
**********************************************
SHADOW
WRITERS vol.2, edited by Paul Kane
Reviewed by Mario Guslandi
Paul
Kane, the editor, and John B. Ford, the publisher, generously
keep providing their circle of writing friends (the so-called
Terror Scribes) with opportunities to be published.
Indeed
Rainfall Books is becoming the breeding ground for new
talents in the field of horror fiction, and Kane's own
website (www.shadow-writer.co.uk), has a flourishing Guest
Writer section, which is the source of the stories included
in the Shadow Writers volumes. This second volume collects
twelve tales appeared from October 2002 to September 2003
at Kane's site, embracing a wide range of styles, length
and literary quality.
Amy
Grech's "Dead eye" is a gruesome vignette, very
enjoyable, although rather predictable in its development.
Grech's writing style is quite smooth and effective and
reminds me a lot of the late Robert Bloch. Paul Finch,
a name by now well-known and respected among horror fans,
contributes with a nice short tale, "Whizz",
where a nasty snake-like creature is the cause of freak
accidents due to excessive speed.
"Chalice"
by Sue Phillips, constitutes the first part of a delightful
vampire tale, also published by the author as a booklet
including already the second chapter of the saga. Much
to the readers' pleasure, more chapters are to follow,.
Neal
Asher's "Scar tissue" is actually a SF piece,
so I don't feel qualified to comment upon that.
Suellen
Luwish's "Pretty enough" is
well, a pretty
enough story, to be forgotten entirely as soon as you
turn the last page. "Exploration" , an enigmatic
piece of fiction by Steven Deighan, leaves you wondering
about its actual meaning ( it's up to you to decide if
the author must be praised or blamed for that) . Sarah
Crabtree's "The afterthought" is a short, but
very effective story describing the farewell visit of
a woman to a friend dying of cancer. Apparently, very
little happens, but you won't easily forget this little
gem.
In"They wait" by Simon Bestwich, the most accomplished
story in this anthology, an ever-changing gang of teenagers
transforms its components in older copies of themselves.
I know, it's hard to explain without giving away too much,
so please read the story yourself, you won't be disappointed.
It's an outstanding, disquieting tale which would have
made an excellent Twilight Zone story.
Another
splendid contribution is Joe Rattigan's "The hungry
ones", a truly horrific story about uncanny creatures
lurking in the dark in a derelict area of town. I'm not
easily scared but this tale is so well written to frighten
any reader. Rattigan is definitely an author to watch.
Unfortunately,
but predictably, not everything is first-rate. Susanne
S. Brydenbaugh's "Cain's moon" and Eddie M.
Angerhuber's "The heart of darkness" are two
perfect examples of disproportionate literary ambition
leading to next to nothing while celebrating Cain's eternal
doom over the centuries or looking for the "heart
of darkness" and feeling "the endless monotony
of days".The authors contrive to display elegant
writing styles but seem to have precious little to tell.
The last contribution "Schism" by Steve Gerlach
is a crazy journey into mental derangement, as aptly suggested
by the alternative title "Mind fuck"
The
inclusion of a story by Kane himself would have certainly
enhanced the general level of the anthology, which, however,
remains fairly enjoyable, representing an interesting
showcase of the new exponents of today's horror fiction.