Horror World Book Reviews
January, 2006


THE RECKONING by Sarah Pinborough
Reviewed by Patricia Snodgrass

The Reckoning is not your typical horror novel. It contains horror elements, true, but it also adds a generous portion of suspense and murder. Further, there are several romances, all of which have gone horribly awry, and in the midst of it all stands a house that makes Stephen King's Rose Red look like a daycare center. Despite it's ambiguous classification, The Reckoning is one hell of a fine read.

Set in a small town in England, the novel opens with the apparent murder of Philip Grace. But who (or what) committed the crime isn't realized until two decades later. Carrie-Anne stumbles onto the secret and it costs her and her family's life. The police don't understand the bloody scrawl across the refrigerator door that states, "Teacher, we got it wrong," and isn't until much later in the novel when her childhood friend Rob Black figures it out.

Nothing in This novel is, as it seems. Teacher isn't who you think he is, Gina isn't the woman you believe she will become, and the house is not as benign as it appears. The story is engaging, and the characters and story line will keep you guessing right up until the end. And the ending, like the rest of the novel, is not as it seems, either.

Leisure Books

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FOREVER ODD by Dean Koontz
Reviewed by Randy Chandler

Odd Thomas sees dead people. "Because I can see them, I bridge life and death, and they hope I can open for them the door they are afraid to open for themselves," Odd narrates. "Their melancholy drains me. Their need exhausts me. I am wrung by pity. Sometimes it seems that to exit this world, they must go through my heart, leaving it scarred and sore."

Because young Odd apparently touched the hearts of a lot of his fans, Dean Koontz wrote this sequel to ODD THOMAS to continue Odd's odd adventures. Not being much of an Odd fan myself, I don't know if this new book will work the usual Koontz magic for Odd's devotees. All I know is that FOREVER ODD was a disappointment to me.

The plot is thin, the book is sluggish with overlong descriptions of place and actions, and the narrative lacks snap. When the villainess Datura finally appears midway through the book, it seems that the story is finally shifting into high gear, but then she makes a premature exit and the tale backslides into sluggishness. Occasionally, the author's poetic prose shines through and almost makes up for the book's shortcomings. Almost.

Odd himself is an ingratiating character with a lackluster narrative voice. I know I'm in the minority on this, but I don't understand his popularity. Koontz's Chris Snow (the narrator of FEAR NOTHING and SEIZE THE NIGHT) is by far the more interesting character, and I'm still eagerly awaiting the promised third book in that trilogy.

I think Koontz's recent books, THE TAKING and LIFE EXPECTANCY, are among the best he's ever written, but with FOREVER ODD he seems to be going through the motions. While I can't blame him for trying to give his fans what they ask for, the supply-and-demand approach to novel-writing doesn't seem likely to produce stunning results. In this new novel, it surely did not.

I remain a diehard Koontz fan, and I will continue to read everything he puts out. I admire his willingness to stretch himself creatively and try new directions in his books. More often than not, he makes it pay off in a big way. As a fan, I'm willing to cut him some slack when one of his efforts misses the mark for me.

I know this makes me Odd Man Out, but I'll be very happy when he finally lays Odd Thomas to rest.

Barnes & Noble

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XOMBIES By Walter Greatshell
Reviewed by Nate Kenyon

Louise (Lulu) Pangloss has been dragged from town to town by her mother for years. At seventeen, she looks more like twelve, and her mother does not hesitate to use that to her advantage whenever she can to gain more sympathy from the various men she's chasing down.

Afflicted with Chromosomal Primary Amenorrhea, Lulu has never menstruated; this comes in handy as the world quickly becomes overrun with a new and devastating virus that is introduced through the adult female population. Agent X turns people into raving maniacs, and the infected search out the rest of the human race with a lunatic's sense of purpose, intent upon spreading the virus as quickly as possible.

Lulu is a resilient young woman, and she proves it in short order as her mother is quickly lost to Agent X and she finds herself alone against a horde of bloodthirsty monsters. With help from Mr. Cowper, a mysterious older man Lulu's mother had insisted was Lulu's biological father, she escapes the clutches of the strange blue-skinned Xombies and manages to get to a secret military installation. There, she and Mr. Cowper join one of the last pockets of civilization planning an escape to the frozen north on a nuclear submarine.

But their destination is nothing like any of them could have predicted, as what is waiting in a remote airbase amid the frozen wastelands is even more terrible and shocking than Agent X itself. Lulu must battle an entirely different enemy as she struggles to protect the last vestiges of a dying way of life, against an overwhelming force that cannot be stopped.

Xombies is a triumph, both epic in scope and entirely unpredictable, and anchored by one of the most refreshing and unique voices in modern horror fiction. Lulu is a brilliantly conceived, original character. She is smart, inventive, interesting and vulnerable, all at the same time, and she infuses the novel with life, even among the dead. Lulu and her mother are a fascinating contradiction, one physically underdeveloped, the other emotionally immature. As Xombies moves along, Lulu is the only woman among a throng of men. As such she is an outsider, both a threat and a seductive force. There is a constant threat of violence and thread of tension running through the book, amplified by the claustrophobic confines of the submarine.

Xombies refuses to be easily defined, however, and because of this it has the potential to frustrate those who are looking for straight-ahead horror. The novel starts with a tremendous bang, and the first third contains some of the most effective action and suspense scenes in recent memory. The pace slows considerably in the middle, though if it weren't for the frenetic beginning, this wouldn't have been so noticeable; and then, just as readers might feel like they're getting a handle on things, Greatshell throws them for a loop once again with a surreal plot twist that nearly derails the book.

In less capable hands, Xombies might have lost its way, but Greatshell is no ordinary writer. This is an expertly written novel, tight, fast and with very clean prose, and yet it deals with some pretty heavy themes such as the balance of power between men and women, haves and have-nots, and the excess of modern civilization. It also happens to be lots of fun to read. Expect great things from Mr. Greatshell in the future.

Barnes and Noble

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LOVE BITES By James Newman and Donn Gash
Review by Shannon Riley

Sizzling hot and, at the same time, terrifying, Love Bites is an excursion in erotic horror from authors James Newman and Donn Gash. The premise is simple, but grows quickly more complex. A husband who wants to put some excitement back into his marriage bed decides to try wife swapping with a couple he has met via the Internet. The trouble is that he has to trick his more conservative wife into going along with the plan.

After meeting the attractive couple, who seem nice and completely ordinary - except for their non- conventional lifestyle, the three decide a camping trip to a remote area will provide the perfect way to introduce the wife to the more sophisticated pleasures of lovemaking. The situation goes quickly downhill from there.

This is a tightly plotted and well-written story, filled with surprises. Just when you think you know where it is going, it takes a sharp left and doubles back to smack you right in the head. Love Bites is a fast fun read that carries an inherent warning: Beware of strangers, and more important, beware of what you ask for, you just might get it.

James Newman is the author of the fantastic Leisure novel Midnight Rain, and he and co-author Donn Gash have also teamed up to pen the popular collaboration Death Songs from the Naked Man. Keep an eye on these two talented writers. Signally or together, they know how entertain readers with nail-biting, edge of your seat action.

Love Bites sports stunning cover artwork and illustrations by artist Alex McVey that are well worth the price of the chapbook alone. The total package is a sure fire winner. Limited to 250 copies, this title will be gobbled up fast.

Love Bites is a tantalizing treat no lover of spicy horror should miss!

Nocturne Press - Limited edition chapbook
Shocklines.com

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THE SPIRIT BOX by Stephen Gallagher
Review by Mario Guslandi

One of the reasons why the type of dark fiction I prefer are short stories rather than novels is that my own suspension of disbelief doesn't last long and as soon as I start to foresee where the plot is going I lose interest and wish the end would come quickly. Unless, of course, the writer is very good and manages to obtain my undivided attention. In other words I don't read any horror novel, but solely the ones I expect to be EXTREMELY good. Being so selective means there are just a few authors I can trust when dealing with long fiction. Stephen Gallagher is one of these authors and his latest novel 'The Spirit Box' provides further evidence of that.

To start with, don't be misled by the title: this is not a ghost or supernatural novel. The Spirit Box is simply the nickname of the vault where an American company ,whose job is to test new chemical products for medical use, stores the experimental drugs. These compounds are not necessarily effective or worth any investment, but two young employees working part-time for that company mistakenly think so and decide to steal some of the still untested drugs coming from Russia.
Since security is tight , the only way to get the stuff out of the vault is to swallow it, and that's exactly what Rachel, an unattractive employee seduced by one of the young criminals, ends up doing.

John Bishop, a Briton who has been working for three years with the company and is now ready to move back to the UK, gets emotionally and physically involved in hunting down the thieves after his own daughter Gillian tragically commits suicide by means of a drug overdose.
In Bishop's mind the destiny of Gillian and Rachel (whose life is severely endangered by the drugs sitting in her digestive tract as well as by the greed of her most determined accomplice) are somehow linked. I don't want to give away too much, so all I'm prepared to add is that the plot will lead you across a number of breathtaking turns and twists for 276 pages , the last part of the story taking place in the fascinating but scary landscape of mountains covered with snow after an unusually hard blizzard.

Gallagher is a fantastic storyteller who knows well his trade. The novel grips the reader from the outset due to the intriguing plot and the extremely credible characterization. The author's writing style is so vivid that the reader has the feeling to be watching a movie.

Actually I wouldn't be surprised if this excellent thriller would be turned into a film in the near future. Suspense and entertainment are granted. But reading the book is also a rewarding trip in the realm of good quality writing.

Subterranean Press
Shocklines

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MISTRESS OF THE DARK By Sephera Giron
Review by Gary Frank

Abigail Barnum is not your ordinary small town girl moved to New York City in order to start a new life and leave her old one behind. In fact, Abigail appreciates the darker side of life: hanging around with drag queens, strippers and working at a tourist bar named Ooolala. Though she has an apartment of her own where she keeps, amongst other things, a human skeleton, she moves into an apartment with friends, Vicki and Brad where the three of them spend their time stoned and in bed together.

Then into Abby's life (and her section of Ooolala) walks Jimmy, a man she calls a Johnny Depp look-alike who she decides she will love and who will love her no matter what.

Abby's real trouble begins one Halloween night when she, Vicki and Brad play a little rough and blood is spilled. From there, Abby's life spirals downward but instead of worrying, Abby does what she needs to do to get through it all, including making Jimmy hers.

Mistress of the Dark is written as a diary, which keeps the story in a tight first person narrative. Abby, however, is an unreliable narrator and as she goes from somewhat unstable to dangerously deranged, what she says may or may not be entirely true.

The horror of the story, because it is told in a cold detached manner, slips by almost unnoticed which makes it all the more chilling. Here's a woman who can kill someone and write about it as if she were chopping vegetables of cubing steak. There are some points where Abby turns whiny and depressed and seems to revel in this at length. But otherwise, she seems to approach everything (from work to killing people) with the same detachment that makes it hard to feel for Abby's decent into self-destruction.

I feel there are a few logic issues, such as the use of a chainsaw in her apartment building not attracting attention and the police never knocking on her door, even when people she's been seen with go missing that strains the ability to suspend disbelief completely. Also, there are a number of dream sequences that I never quite understood how they fit into the story. Then there are repeated e-mails from her mother that Abby never answers, but this storyline is never resolved as to why her mother keeps e-mailing her and she keeps deleting them.

Yet because Giron tells a fast-paced story that keeps the reader wondering what Abby's going to do next, these issues became secondary to me. Mistress of the Dark is an interesting exploration into the mind of a dangerous woman who very well could be the person you work next to or say hello to every day at the coffee shop.

Leisure Books

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TERROR IN SMALL DOSES By John Grover
Review by Shannon Riley

A desperate woman living in a run down tenement on the wrong side of town discovers during one of the frequent power failures that horrifying things happen when the lights go out we learn in "Black Out," the leading story, and one of the best, in John Grover's new collection Terror in Small Doses.

Six short tales comprise this small volume, but don't be mislead by its size. Good things do come in small packages, and you'll find some real gems among the offerings here.

"Patience" tells the story of the thing that waits under the stairs, and "Conjurer" recounts the difficulty of trying to outwit demons.

Beware "The Gibbering," for the haunting voices speak of failures and mistakes that can never be undone.

"Release Me" finds a man with the gift of opening the portals between worlds betrayed by his own powers.

The collection ends with a powerful and chilling tale entitled "Available for Parties." This cautionary tale reminds readers that appearances can be dreadfully deceiving.

John Grover, co-author of Space Stations and Grave Yards, and author of the forthcoming book A Beckoning of Shadows, is a talented young author whose work is fresh and original. Terror in Small Doses is a worthy effort showcasing his unique vision of darkness.

To learn more about John's work, visit him online at www.shadowtales.com.

Nocturne Press - Limited edition chapbook
Shocklines.com

 

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