Horror World Book Reviews
March, 2006


KING OF SOULS by Brian Knight
Reviewed by Matthew Craig

Jim Stamper is a man with little left to live for. When we first meet the central character of Brian Knight's latest novella, he's a lonely alcoholic whose daughter has been missing for five years, and whose wife left him as a result of the child's disappearance. Roused from a drink-fuelled slumber by a phone call from someone who sounds like his daughter, Jim starts on a course of action that will lead him through a nightmare to Johnny Junk and the King of Souls.

The scene set in Brian Knight's KING OF SOULS is every parent's worst nightmare - a missing child; a dissolving marriage. Where the story leads is probably one of the creepiest pieces of fiction you'll read this year…or ever. And yet the novella is flawed. What those flaws are is not something that can easily be revealed for fear of spoilers, but KING OF SOULS is one of those rare novellas that may have benefited from a slightly longer form - it's flawed by omission rather than by anything you'll read between the covers.

But that's a minor quibble; Knight has tremendous talent. With a unique and very down-to-earth storytelling voice, Knight will place you in the shoes of Jim Stamper and take you to places that no sane human should ever go for the 50-some pages of the novella. The people and settings of KING OF SOULS are likely to stay with you for quite some time and you will find yourself returning to them at odd moments, wondering what you would do if you were in Jim's position.

For me, personally, this is the first piece of Knight's fiction that I've read. Flaws or no, it certainly won't be the last. The clichéd review of any young writer's books always lays claim to "the next big thing in horror". In this case I hope it's true. KING OF SOULS does no more than scratch the surface of enormous talent. If you're looking for something to keep you up all night, this might just be the book for you.

Earthling Publications

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WET WORK: THE DEFINITIVE EDITION by Philip Nutman
Reviewed by Hank Wagner

As Wet Work opens. Dominic Corvino, leader of Spiral, a crack U.S. Black Ops hit team, is in Panama City, Panama, preparing to initiate an operation against four members of the Cali Cartel, main suppliers of cocaine to the states. Assessing his situation, he once again takes notice of the spectacular show presented by the comet Saracen in the night sky.

Corvino doesn't know it yet, but his life is about to get very complicated. First, the operation goes awry, resulting in the deaths of his entire team. Later, he's shot dead by a traitorous colleague, only to rise again as a zombie due to the strange radiation generated by Saracen. He wakes up in a world where humanity is on the verge of extinction due to the presence of sentient zombies who, enjoying near invulnerability, are rounding up those not affected for food. Corvino, one of the "lucky" zombies who can think for themselves, struggles with a gnawing hunger for human flesh even as he seeks vengeance against those who betrayed him. His vendetta against his ex-colleagues propels him towards a meeting with the book's other lead character, Washington DC policeman Nick Packard, an encounter sure to resonate with readers long after they finish the book.

It's always reassuring to find that a book you enjoyed many years ago still holds up upon a subsequent rereading, which I'm pleased to report is the case with Wet Work, Philip Nutman's accomplished 1993 debut novel. Written in homage to Richard Matheson's masterpiece I am Legend, the novel is still, as my friends from New England might say, a "wicked good" read--one of the more readable, well crafted and innovative splatterpunk novels of the era, its plentiful action and "pedal to the metal" approach to gore and violence would make it memorable even if you didn't care about its cast so much. My only problem with this whole project is that it raises the question, what's Nutman been doing for thirteen years that's kept him from delivering other novels? Yes, he's written some comics, and he's been involved in various film projects, but it's a shame he never got around to publishing another novel--it certainly would have been interesting to see what he did next. Hopefully, this welcome reissue will spur some activity in this area.

Overlook Connection Press

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COMES A HORSEMAN by Robert Liparulo
Reviewed by Patricia Snodgrass

Comes A Horseman is a thriller packed full of mysteries, action and suspense. From the very beginning Liparulo leads the reader on a non-stop adventure around the world, starting and ending in Jerusalem. The author poses questions along the way. Who are the watchers, who is the antichrist and is this person who he claims to be or is he just another despot wannabe? Who is the Norseman and why is he sent to kill artist Cynthia Loab along with fifty-six other individuals who have all shared one common event in their lives? Why is the Vatican so interested in Fr. McAfee's research? And why and whom is driving the poor father insane?

Comes A horseman is a suspense novel of the highest caliber. Billed as a Christian suspense novel, it does not overindulge in sanctimonious sermonizing that brings down a number of Christian based novels. Liparulo avoids the temptation of preaching to his audience, and sticks with his story.

The novel has an X-files feel without coming off as a cheesy version of the television series. The characters are crisp and alive and multi faceted. The plot is engaging. The storyline moves quickly and just when you think you may have figured out what's going on Liparulo throws you a curve. Lipaurlo's style is sparkling clean and the pacing of the work is as fast as Pip's little red Fiat.

I really enjoyed this novel and if you like thrillers you will too. Highly recommended.

Available at Barnes and Noble

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BEYOND BLACK by Hilary Mantel
Reviewed by Hank Wagner

Alison is a reader, a genuine psychic who, exhausted by the rigors of her demanding profession, often ignores the business side of her trade. Thus, she is pleased when she is approached by the prissy and officious Colette, who recently ended both her employment and her marriage. Sensing they can be of aid to each other, Alison invites Colette to take over her business affairs; this Colette does, at first slowly, then with more gusto, arriving at the point where she's even planning the overweight Alison's daily menus. Friendship and respect degenerate into conflict and disdain.

Although the supernatural plays an important part in this book-for instance, Alison's greasy spirit guide, the loathsome Morris, is introduced within the book's opening pages--Mantel seems more interested in capturing the complexities of the relationship between the two women, chronicling the ups and downs of their relationship. Alison and Colette are initially good for each other, but the very aspects of their personalities that allow for this are also the ultimate cause of their estrangement. Mantel subtly exposes these strengths and weaknesses, providing fascinating glimpses into the complex psyches of her two damaged protagonists.

Mantel loves to play the mundane off the fantastic. For instance, Alison foretells Princess Diana's death, but most of the distress she feels is not over the impending death, but because of the increased work load that the event will bring her. Equally fascinating is the work a day world of sensitives/readers Mantel so realistically portrays; as much performers as they are gifted, their experience plays almost as important a part in their presentations as do their psychic talents. At times, it's difficult to tell whether Alison is relying on tradecraft or supernatural gifts to work her audiences; readers get the feeling that even Alison doesn't always know. But, rest assured, Alison's gifts, born of a great trauma which Mantel thoroughly explores, are genuine.

Dark, touching and amusing, Beyond Black combines a compelling character study with an intense focus on social mores and attitudes. Reminiscent in many ways of Christopher Priest's 1995 masterpiece The Prestige, the novel brings this small world to vivid life, transporting readers to a strange, exotic, landscape where the past exerts a powerful hold over the present, emotionally, psychically and physically.

Available at Barnes and Noble

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SURVIVOR by J.F. Gonzalez
Reviewed by Nate Kenyon

Brad and Lisa Miller are thrilled to be leaving for a much-needed vacation. Lisa has even more on her mind--she and Brad have been trying to have a baby for years, and this weekend she'll finally be able to tell him that she's pregnant. It seems like nothing could go wrong for the young couple.

But things begin to go terribly wrong indeed, as a brush with a van and a nasty case of road rage leads to a citizen's arrest and weekend in jail for Brad, and a trip into the very heart of darkness for Lisa. Because the man driving that van is after a lot more than a little joyride, and once he and his cohorts have their hands on Lisa, there's no telling to what depths they will sink. When all is said and done, Lisa will discover what lengths she will go to in order to survive. One thing is certain: she will never be the same again.

Survivor is a brutally violent, stomach-churning novel that describes in minute detail some of the most disturbing acts in the history of literature. Make no mistake: this novel is not for the casual horror crowd. One scene in particular (which is, thankfully, only told through flashback and memory) is so revolting that it will make many a reader throw the book across the room. There is a fine line between pushing the envelope to titillate and shock, and crossing that line into territory that would be better left unexplored. Survivor will cross that line for many readers.

There are also a few problems with the plot itself, in particular the citizen's arrest and the actions of the policeman who is involved with it. Why he chooses to believe the accounts of a drifter-like character in an unmarked van (who gives his name as Smith) over a nice young couple in an expensive car is left largely unexplored. It's also unclear why the police have such trouble connecting the dots between the bad guys, when one has been supposedly involved in the underground porn scene for years and the others have fairly obvious ties to him. The circulation of a handful of bootlegged snuff films is one thing; such a large and relatively organized ring of snuff collectors operating around the country without detection is quite another.

There are elements to like in Survivor. After the initial kidnapping and torture sequences, the novel switches gears, and it is here that Gonzalez really hits his stride. Lisa must deal with the traumatic aftershocks of her ordeal, and her grief is handled in a believable and sympathetic way. Suspense is nicely balanced and there are a number of red herrings before the final payoff, which will satisfy many readers.

Unfortunately, many more of them will be so disgusted by this point that they will be left with a bitter taste in their mouths. Anyone with small children, consider this fair warning: you will likely be taken far beyond your comfort level. For many hardcore horror fans, this is a good thing. But everyone has limits.

How far would you go to survive Survivor?

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FOREVER YOU WILL SUFFER By Gary Frank
Reviewed by Patricia Snodgrass

Rick Summers knew he was in trouble when the taxi cab he took to visit his mother and sister's graves was carjacked by a zombie. Deposited unceremoniously upon a former girlfriends house, Rick and Katarina's friend Meggan run afoul of Rick's former lover. Of course he doen't remember. That was centuries and generations of incarnations ago. Abigail has chased Rick Summers literally across time, from one incarnation to the next, exacting revenge upon the man who spurned her.

Gary Frank's novel, Forever You Will Suffer, takes Dante's Divine Comedy and turns it inside out. Rick doesn't have to visit hell to find his lost love. His lost love comes up from hell to look him up, and what happens afterwards is unforgettable.

Franks writing is impeccable; the style is fresh and interesting. Frank keeps the pace up throughout the novel, sending the reader through one escapade after another. I was somewhat confused with the tone at first. Upon reading the first few pages I thought it was a comedy. The female zombie in the taxi was quite funny. But the story takes on a sinister tone as Rick is left at his former girl friend's house and becomes dark and troublesome midway throughout the book. I also found some things went over the top, such as the drinking session in Meggan's apartment and the unconvincing falsetto southern accent that Meggan's doppelganger assumed.

I do recommend Forever You Will Suffer, despite the few errors. It's a fun story, dark compelling and a fast paced read.

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THE HELL BOOK by Jason Van Hollander
Reviewed by Angela Bennett

If this first offering by White Noise Press is any indication of what we're to expect in the future, well, we're all in for a treat.

The production value alone on this chap is worth the price of admission. This is one of the nicest produced chapbooks I've seen. The Japanese tissue endpapers are a beautiful touch and Keith Minnion's artwork captures the title character beautifully.

Now on to the story. The story is told from the perspective of a neighbor of Eli Needleman, whose mother is the town 'crazy'. The narrator starts out his story with his discovery of Eli Needleman's artwork in comic books while in college, realizing this is his boyhood neighbor. 4 years later, our narrator describes his encounter with a man he hasn't seen since grammar school - an anti-social, outcast who throws his fan letters, unopened, in the trash. Eli's work is analyzed in depth over the course of the story which seems to add to the 'illusion' of evil surrounding Eli. The narrator returns home and strikes an uneasy acquaintance with a man he knew as both a child and as someone who's work he idolizes.

When he is finally invited up to see Eli's Hell Book - he wonders if he has damned his soul to hell.

While I enjoyed the story, I was disappointed that it was so short. I felt as if there was more to the story than what we're given and would like to have seen it a bit longer and more fleshed out.

Definitely a bargain for the price.

 

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