Horror World Book Reviews
November, 2005


FORGOTTEN SOULS by T.G. Arsenault
Reviewed by Nate Kenyon

To almost everyone who knows her, Andrea Varney is the quiet librarian in the small backwoods town of Durbin, Maine, content with living a lonely, simple life. But Andrea has a secret; she sees dead people, the forgotten souls of those who are not able to pass into the next realm. She has spent years preparing for the coming of the chosen one, who will help her release these souls from their torment.

When little Darren Jacobs first visits the library, Andrea knows immediately that he is the one she's been waiting for, but she must wait until he has grown up in order to let him in on her secret. As the years pass, Darren begins to have strange encounters of his own, as the spirits of the dead make themselves known to him. Eventually he and Andrea find each other once again, and begin a journey that will take them across the State of Maine, to visit cemeteries long forgotten and crumbling to dust.

But a monstrous evil has plans of its own, and it will stop at nothing to end their quest. Helped by an old woman on her death bed, and various others along the way, Darren and Andrea battle the minions of the very Devil himself as they struggle to remember those who have been forgotten, and set those souls free from their prison before it is too late.

Arsenault is dealing with some heavy themes in Forgotten Souls, but he keeps his story moving with simple prose and short, punchy chapters. The book is ultimately a commentary on our modern lifestyle and the speed with which the world moves, the distractions that divide our attentions, the obsession with the next big thing. It is no accident that Andrea Varney still uses card catalogs in her library, and the smell of musty stacks buried in basement levels is stronger than the smell of hot plastic. She's one of the few remaining souls of a fading race, a woman content with a simpler life. As she says, "No one wants to live with the basics of life anymore. They only seem determined to create some alternate dimension with a blinking cursor as a gateway." Her task, and Darren's too, is to remember those who went before, as if by keeping their memory alive she is holding on to the last vestiges of a civilization on the brink of extinction.

The book starts a bit tentatively, but picks up speed and purpose, particularly after the introduction of Frank Carlson. Carlson may be the novel's strongest character, vicious and yet compelling, and strangely sympathetic as he is seduced by the evil forces that eventually overwhelm him. Arsenault does some neat things with automatic writing and channeling of the dead, and the member of the devil's army, when they come, are remarkably nasty creatures.

Arsenault has written a story that exists in a very sharply defined universe that seems just slightly removed from our own, where lives move at a different speed. Forgotten Souls is raw, and rough in places with a writer who is still finding his voice-but its imagination and emotional resonance is undeniable. Overall the book is a compelling read. It will be very interesting to see where this writer takes us next.

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RIGORMAROLE By Michael A. Arnzen
Illustrated by John Skipp
Reviewed by Patricia Snodgrass

What can be said about zombie poetry? Michael Arnzen says a great deal in his short book, Rigormarole. Some of these little ghastly poems were previously published in Gore Zone, and have taken on a new life in his book.

Composed or (perhaps decomposed?) of poetry reminiscent of the film Shawn of the Dead, and written in an e. e. Commings type style, Rigormarole tells a story of a world inhabited by zombies. Some of the poems are funny, others are unsettling, and some are simply disgusting.

Arnzen's poetry is predominantly free verse, but he does employ other techniques, such as the haiku and the limerick. The imagery is vivid and disquieting, although the use of certain words such brains is overdone. Some of the imagery duplicates itself in many of the poems making it seem as if the author is experimenting with the use of word number the way an artist uses monochromatic colors to enhance the theme of the work. Adult readers might find this redundant and a bit tiring, which could be a downfall to this work. This technique is effective, however, when writing children's and some teen literature.

All in all, Rigormarole might not be of interest to all adults, but teenagers and middle school children will find this an entertaining read.

Naked Snake Press

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THE BACKWOODS By Edward Lee
Reviewed by Nate Kenyon

A very successful, happily married attorney, Patricia White has spent most of her adult life trying to forget her past. The victim of a vicious rape while in her teens, she has avoided her quiet backwoods hometown for as long as she possibly could. But when her brother in law dies under suspicious circumstances, she has no choice but to return home to Agan's Point to help her sister Judy deal with the devastating loss.

She arrives to find the town--and the family business--in disarray. A wealthy developer has been trying to get Judy to sell her land; Judy is drowning her grief in alcohol; the squatters who serve as laborers for Judy's crabbing business are disappearing, one by one; and there are rumors of strange voodoo curses among the townsfolk. To make matters worse, Patricia begins to have vivid, explicit sexual fantasies about Judy's handyman Ernie. Ernie has had a crush on her ever since they were children growing up together, but nothing ever happened between them. But that doesn't stop Patricia's suddenly rampant sexual urges, which both confuse and threaten to overwhelm her.

As she slips deeper into the odd lives of the townspeople of Agan's Point, and begins to uncover the mystery of her brother in law's death, more people begin to die, under bizarre and unsettling circumstances. Someone--or something--is out to destroy the town and everyone in it. Dark secrets are slowly revealed, and eventually the violence hidden among the townsfolk threatens to overflow, taking Patrica down with it.

Lee's diehard fans (and those who are attracted to the back cover description) will be disappointed with the lack of gore, and that's a shame, since there are a number of things to like about The Backwoods. Lee's prose is generally strong and clean. The greatest strength of the book is its vivid descriptions of the town of Agan's Point, and the strange characters living there. Lee captures the squatters' unique customs, dialogue and strange history. Running throughout the novel is a constant, underlying current of eroticism mixed with violence, which is established from the very first scene.

Unfortunately, all this is not quite enough to carry the novel.
The Backwoods is not so much a horror novel as a mystery or dark suspense thriller, with elements of the horrific. But Lee chooses to let us in on at least one of the secrets from the very beginning, which undercuts the suspense and takes at least some of the mystery out of the story. The twist at the very end, when it comes, isn't really central to the plot and doesn't ring true with at least one fairly central character.

Ultimately, The Backwoods will appeal to a more mainstream crowd, and in some ways Lee seems to have been writing specifically to that audience, toning down the violence (apart from one particularly vivid scene involving an axe) and concentrating on the eroticism and interplay between characters painted in fairly broad strokes of good and evil. If you're a huge fan of Lee's bloodiest works, you may want to avoid this one; if you prefer your horror light, it may be just the thing to lend a little steam to your late nights.

Leisure Books

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FINISHING TOUCHES By Thomas Tessier
Reviewed By Patricia Snodgrass

One technique of creating a successful horror story is to place characters in an ordinary, realistic situation and then slowly guide the reader into places that disturb the deepest part of the human psyche. That's what Thomas Tessier does with his novel, Finishing Touches, and he does it with style.

The plot is skillfully executed. There are no cheap shots, no stereotyped characters, or over the top gore fests. It's just you, the reader, and Tessier, slowly and calmly dissecting your sense of reality. Even when Dr. Sutherland starts doing things that are, in the real world, appalling, you can't help but cheer him on. You want him to succeed because, despite how awful his fantasies are, Nordhagens' are far, far worse. And you have to keep reading to find out what happens in the end. And in the end, you can't help but wonder about your next doctor's appointment.

So, what is your fantasy? After reading Finishing Touches you may never want to know the answer to that.

Highly recommended.

Leisure Press

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